ARLA/CLUSTER: Episódio 140 da série Foundations of Amateur Radio
João Costa > CT1FBF
ct1fbf gmail.com
Segunda-Feira, 12 de Fevereiro de 2018 - 13:48:22 WET
Foundations of Amateur Radio #140
*How should I promote my contest?*
The act of telling someone about something is promoting it, not in a
marketing sense, just an awareness sense. The act of not telling someone is
keeping a secret.
Radio amateurs, and I have no doubt, people who are not, like to plan
things. They set-up contests, on-air activities, organise swap-meets, build
websites, write articles, invent things, build stuff, and all manner of
other amazing activities. Some amateurs talk about what they've been up to,
but most just sit quietly, hoping that their brilliance will be discovered
by someone.
Of course that rarely happens.
Let's imagine a contest. It's an activity that you'd ideally want other
amateurs to participate in, talking to yourself, on your own is like being
a broadcaster and I can tell you, that's a tough gig. A contest is about
making contacts between different participating people.
So, your contest, it's going to have rules, a planned outcome, say more QRP
activity on 40m, and it's going to run at a particular time. I've lost
count of the times where that's the sum-total of effort put into organising
a contest. Of course the contest flops, since no-one knew about it, and
often that's the end of it.
So, what can you do to actually get a head start in making this contest
work?
For starters, you should figure out who the audience for this contest is.
If you set it up on 160m and aim for beginners you'll have a problem, since
they're not allowed on that band. So, the audience is based on the rules of
the contest and of course one influences the other.
Once you've got a defined audience, and no, all the amateurs on the planet
is not a valid audience, since by that metric you could also say all the
taxi-drivers in New York city, and while that is a defined group, it's
unlikely that you'll find much in the way of participation in your amateur
radio contest. That's not to say that there isn't a New York cabbie who
isn't also an amateur - hi - but their amateur status is not the same as
their taxi-driver status, so pick an actual defined audience. The more
defined, the better.
Let's say for a moment that your audience is amateurs who've been in the
hobby less than a year who live within 1000 km of you. Now your task is to
figure out how you're going to talk to them, what you're going to say and
how you're going to encourage them to be part of this wonderful contest.
You could target the local amateur schools, and ask them to send out an
email on your behalf to promote your contest, or you could approach the
local radio clubs and ask them to promote your thing to their new members.
You could seek out local radio nets that cater for new amateurs, you could
write articles for the local radio magazine, or you could post comments on
your favourite social media outlet.
None of these things are particularly difficult, onerous or complex, but
not doing them means that your contest is doomed before it starts.
So, now you have an audience and some outlets for communication. What do
you say?
I've seen contest promotions that list the frequencies and link to the
rules. That's it. Not very inspiring. I've seen promotions that state that
they're aimed at a particular audience, but the rules indicate that you'll
need to have a particular license in order to participate because the bands
or modes exclude the audience. All these messages achieve is the opposite
of promotion. People know to avoid this contest, rather than feel
inspiration to participate.
So what should your message be?
First of all, it should be written one-on-one. You're listening to me right
now. The fact that there are other people also listening is not relevant to
you. Every communication is like this. Everyone experiences communication
as a message to themselves, to their needs, emotions, desires, motivation,
just me and you, talking. Of course there are messages intended for a
stage, but this is not one of them. We're not in Wembley stadium and I'm
not on stage encouraging everyone to wave their hands in the air right now.
So, write your message to a single person. The better you can imagine that
person, the better the message works.
The information in the message needs to be heard, so you need to find a way
to relate to the person listening, it needs to resonate in some way. You
need to be able to elicit a "Noooo", or a "Yes!" from the person listening.
There's a contest that encourages you to set up a Jolly Roger and speak
like a pirate on air, simply to find something that makes it stand out and
be memorable. Your message needs to do that, stand-out and be memorable.
The first place to look is inside yourself. What would make you want to do
this contest, what would motivate you, how would you benefit from this
contest, what would you gain?
So, find an audience, figure out how to talk to them, determine what you
want to say and then do it. Of course, this doesn't just apply to a
contest, it applies to courses, to radio clubs, to swap-meets, to technical
talks, anything you want to have people come and play.
What are you waiting for! Amateur radio promotion isn't hard, but you have
to actually do it.
I'm *Onno VK6FLAB*
To listen to the podcast, visit the website:
http://podcasts.itmaze.com.au/foundations/ and scroll to the bottom for the
latest episode. You can also use your podcast tool of choice and search for
my callsign, VK6FLAB, or you can read the book, look for my callsign on
your local Amazon store, or visit my author page:
http://amazon.com/author/owh
If you'd like to participate in discussion about the podcast or about
amateur radio, you can visit the Facebook group:
https://www.facebook.com/groups/foundations.itmaze
Feel free to get in touch directly via email: onno itmaze.com.au, or follow
on twitter: @vk6flab (http://twitter.com/vk6flab/)
If you'd like to join the weekly net for new and returning amateurs, check
out the details at http://ftroop.vk6.net.
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